The key is to keep painting in very thin, very dry layers. As a miniature painter I am used to this; however I have to keep bearing in mind the ‘watercolour’ aspect of it as it is painted light to dark like watercolours, not like miniatures. So it is like a mix between miniature and watercolours. I’m glad I’ve got brushes to cover all of these needs!
Slowly coming to life. It’s a slightly different way of painting, more akin to watercolour, where the white of the paper is the brightest white, so I have to leave it out, as I can’t add white on top of dark colours as it would make the paint too thick (it has to fall back into the form of a book, after all).